ANG BABAE SA SEPTIC TANK 4

Ang Babae Sa Septic Tank 4 (Theater Play 2026)

Director: Maribel Legarda

Playwright: Chris Martinez

First time ever magrelease ng official rating para sa isang theater play dahil pagkatapos itong mapanood, imposibleng hindi ka magbigay-pugay. Deserve nito ang pinaka-mataas na recognition na abot hanggang West Philippine Sea.

Totoo yung pamagat. Hindi siya exagge. Mapapa- 𝗢𝗛 𝗦𝗛!𝗧 𝗜𝗧’𝗦 𝗟𝗜𝗩𝗘 𝗦𝗔 𝗖𝗛𝗘𝗧𝗘𝗥! ka talaga. Ang saya mabuhay kung may ganitong klaseng palabas kang madaratnan. Busog ang isip at kaluluwa. Sa sobrang nakakabusog, tatae ka ng mga papuri. TAE ANG GANDA.

Nakakaloka ang ipinakita nilang work of art. Pwedeng magtrend sa X for its explicit content. Pasok sa Reddit dahil dapat pag-usapan. Andaming references. Kilala mo man sila o hindi, nakakatawa pa rin dahil sa kung paano nila ito sinasabi.

Personalized at self-aware ang material. Madalas ay tinitira na nila ang mga sarili nila — kaya mas lalong masayang panoorin. Voice over intro pa lang, may patawa na kaagad. Pati intermission ay may knowledge-sharing.

Creative ang Canva presentation. Nakakasigla ng mood makita ang mood boards. Memorable ang mga product inclusions. Aliw ang different types of theater acting, lalo na yung pinaka-huli.

Woke ka man o hindi, magigising ka sa kalagayan ng teatro. Maya’t maya ay binubugbog ka ng punchline at ng realidad. Walang pahinga. Ang sakit na sa panga dahil sa kakatawa. Tango ka nang tango dahil puro may sense ang sinasabi. May kakayahan silang pagsabayin ang mga patawa at ang mga patama.

Tomboy ka man o hindi, wala kang kawala dahil crowd pleaser ang palabas na ito. Gagawin nila ang lahat maging masaya ka lamang. Nakikinig sila sa audience.

Sumasamabay sila sa agos, ngunit hindi sila nagpapalunod. Nanatili pa rin ang kanilang vision. Innovative at entertaining ang production. Masaya at makabuluhan ang mga discussion. Hindi siya nandidikta, bagkus ay nagpa-paalala siya.

Ang ganda ng mga costume. Hindi siya mukhang pipichugin. Maingat na hinabi. Ang sosyal tingnan ng tela. Adjustable ang mga props. Totoo ang gummy bears. Parang climax lahat ng nangyayari. That “TOILET” scene exceeded all expectations.

Flexible ang mga cast. Iba’t iba ang style ng kanilang performances. Catchy ang mga songs. Kahit saang genre mo sila ilagay, hindi ka nila bibiguin. Nakakapagod ang ginawa nila, pero wala silang choice. They are doing a service for the theater community.

Self-proclaimed Dadbod Andor Ranay is bold and funny, hyping up the crowd with his effective banter and fearless personality.

Stella Cañete-Mendoza is so committed that she can make even the most laughable scenes seem respectable.

Not as young as he looks, Melvin Lee acts with the poise and ease of an experienced theater professional.

𝚁̶𝚘̶𝚍̶𝚢̶ ̶𝚅̶𝚎̶𝚛̶𝚊̶ Joshua Lim So presents his arguments with conviction. His patience and endurance are actively felt.

Marlon Pineda delivers his lines as smoothly as he crochets.

She’s a hit and not a miss. Remember her name: Meann Espinosa, who excels at creating intimate and warm connections with her fellow cast members.

No role is too small or too big when The Ugengs-gengs are around to spice up the vibe.

Physically and vocally capable, JC Santos is a triple threat, moving gracefully between acting, singing, and dancing.

To be in the same room with the Eugene Domingo is a surreal experience. Her animated expressions and infectious energy fill the entire space. You find yourself surrendering to her presence. She makes you feel that she is very much alive.

𝘑𝘶𝘴𝘵 𝘢𝘴

Theater is very much alive. Audience is very much alive. Kahit hindi pa curtain call, sobrang dami na ng mga palakpakan at tawanan. Nung natapos na, hindi sapat ang palakpak. Tamang behavior ang standing ovation.

Giving them a standing ovation is not too much of an ask, because what they’ve done is way too much for a theater experience.

No sh!t. This show is an absolute masterpiece of (lovable) sh!t, transforming every bizarre and ridiculous idea into a work of art. It redefines the limits of what a theater can be. There’s no other way to experience it but live.

This is a once-in-a-lifetime event.

This is history in the making.

This is Philippine Theater in its liveliest form.

-

From Goldwin Reviews

⭐⭐⭐⭐⭐

(Let's make it official)

𝘱.𝘴.

𝘛𝘩𝘪𝘴 𝘳𝘦𝘷𝘪𝘦𝘸 𝘪𝘴 𝘯𝘰𝘵 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘣𝘺 𝘢𝘯 𝘈𝘐.

𝘎𝘰𝘭𝘥𝘸𝘪𝘯 𝘙𝘦𝘷𝘪𝘦𝘸𝘴 𝘪𝘴 𝘷𝘦𝘳𝘺 𝘮𝘶𝘤𝘩 𝘢𝘭𝘪𝘷𝘦.

Huwag na huwag palampasin. Buy your tickets na here!

🗓️ June 19 to August 16, 2026

📍 PETA Theater Center

🎟️ TicketWorld: bit.ly/SepticTank4Tickets

🎟️ Showbuyers: bit.ly/SepticTank4Showbuyers

Director: Maribel Legarda

Playwright: Chris Martinez

Assistant Director: Johnnie Moran

Set & Costume Designer: Gino Gonzales

Lightning Designer: Barbie Tan- Tiongco

Video Designer & Mapping: Bene Manaois

Sound & Music Designer: Angel Dayao

Choreographer: Raflesia Bravo

Lyricist: Michelle Ngu-Nario

Assistant Choreographer: Fiona Rojas

Deputy Costume Designer: Martha Cruz

Assistant Set Designer: Leslie Centeno

PETA Artistic Director: Jhmee Katanyag

ENSEMBLE aka "THE UGENG-GENGS"

Ron Ryan Alfonso

Kiki Baento

Roi Calilong

Joy Cortez

Nyla Festejo

James Lanante

Carlon Matobato

Eli Namoc

Reggie Ondevilla

Air Paz

Ada Tayao

STARRING:

Stella Cañete-Mendoza

Meann Espinosa

Melvin Lee

Joshua Lim So

Andoy Ranay

Marlon Rivera

JC Santos

AND

The Eugene Domingo

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