There’s a new venue in town—The Black Box at the Proscenium Theater—and its inaugural show is 𝘚𝘱𝘳𝘪𝘯𝘨 𝘈𝘸𝘢𝘬𝘦𝘯𝘪𝘯𝘨. The blocking and seating arrangement need improvement. The stage is oriented toward the center, but there are also chairs placed along the sides. As a result, people seated in these areas are often limited to seeing only the back or side profiles of the actors. Viewing experience is compromised. Key actions and moments from the cast members can be par

GOAT (2026) Directed by: Tyree Dillihay Using animals as symbols for people and dreams isn’t something new. Among recent animated films, 𝘡𝘰𝘰𝘵𝘰𝘱𝘪𝘢 easily comes to mind—with the key difference that the story centers on basketball. The basketball matches take place in a venue that is constantly shifting and in motion, adding an extra layer of challenge to the game. It would have been nice if this feature were emphasized further by letting the players actively strategize

Wuthering Heights (2026) Directed by: Emerald Fennell This no longer feels like a movie. It plays like an extended music video, a glossy video pictorial dressed up as cinema. The actors love to strike poses and parade through stylized shots. Their movements are timed to the beat of the songs. You end up appreciating the soundtrack more than the story. The scenes leave no impression. It’s all surface and no substance. Pure aesthetics with nothing to hold onto. There’s no sense