The Odyssey (2026) Written & Directed by: Christopher Nolan The Odyssey (2026) Written & Directed by: Christopher Nolan The bulk of this film plays more like a series of fragmented episodes featuring different sets of characters. Transitions between scenes lack fluidity. Certain moments resemble teaser trailers, relying on grand musical scoring to suggest something monumental is about to happen. Yet those payoffs are repeatedly postponed until the finale, leaving much of t

Evil Dead Burn (2026) Directed by: Sébastien Vaniček This horror film is beautiful mainly because of its story, which is deeply tied to its gore-filled theme. Violence, when used the right way, can be a powerful weapon for survival. Bloodbaths, when driven by the right motive, can end up being inspirational. The main character’s pain isn’t immediately felt. It takes repeated reminders before the truth finally sinks in. Acknowledging something so difficult requires courage.

Moana (2026) Directed by: Thomas Kail 𝘔𝘰𝘢𝘯𝘢 serves as a prime example of why not every animated film needs a live-action version. Even with the ocean as its backdrop, the experience feels draining. 𝘔𝘰𝘢𝘯𝘢 already loses much of its magic and charm. Just as 𝘔𝘰𝘢𝘯𝘢 2 felt unnecessary, this remake is no better. The colors lack vibrancy. The island setting seems like CGI creations than a real, living environment. It’s only the songs that are enjoyable to listen to.

The Beekeeper (2024) Directed by: David Ayer All it takes is one triggering moment to set everything in motion and keep your adrenaline pumping. This movie executes it so well that you find yourself invested until the very end. 𝘛𝘩𝘦 𝘉𝘦𝘦𝘬𝘦𝘦𝘱𝘦𝘳 doesn’t rush to show off its kills and skills. It takes its time, establishing the situation and the characters who matter. You get a picture of who they are in a nutshell. Then something truly awful happens that shakes you

The Furious (2026) Directed by: Kenji Tanigaki The best thing about this action-packed film is that all opponents are physically capable in fighting and that they also have equal chances of winning. Everyone seems to be aggressive, which adds up to the intensity of the battles. Possessing extraordinary strength and remarkable longevity, they can easily pass as mutants. Yet the film gives constant reminders that they are not invincible, showing signs of weakness and exhausti

Leviticus (2026) Written & Directed by: Adrian Chiarella It’s sad to live in a place surrounded by narrow-minded and apathetic people. What makes it even more painful is when the mistreatment comes from your own parents and neighbors. Homophobia is suffocating. It’s getting hard to breathe. Every part of your body aches, inside and out. The pain becomes insufferable. Some may see this pain as an exaggeration. But the real horror lies in the fact that these experiences are n

Supergirl (2026) Directed by: Craig Gillespie The movie’s ultimate kryptonite is its lead character, who doesn’t really know how to take the lead. Her journey isn’t compelling. Her backstory is the most boring part. She seems too reliant on the ensemble to make things work. Superman (David Corenswet), Lobo (Jason Momoa), and Krypto the Superdog are accessories to uplift the scenes every once in a while. But the movie just keeps falling flat. Action scenes do her no good, ma

Power Ballad (2026) Directed by: John Carney No explosive revelations. No grand climax. No heavy moments. This is a film that simply wants to tell a story—and it does so with utmost authenticity. It feels less like watching a movie but more like witnessing a life unfold before you. Films like this one are a rarity nowadays. Stripped of plottwists and gimmicks, it allows the characters to shine and the story to leave an impression. The storytelling is simply human. You think

Toy Story 5 (2026) Directed by: Andrew Stanton The franchise reached a satisfying and perfect conclusion with Toy Story 3. While continuing the story beyond that point wasn’t necessary, the later installments have brought something new to the table — this one included. Technology continues to evolve at a rapid pace, affecting every aspect of our lives. Toys are no exemption. Kids’ alarming screen time is a timely and relevant topic, and there’s no better franchise to tackle i

Scary Movie (2026) Directed by: Michael Tiddes The ultimate gift this movie can give is the Core Four reunion. Watching them hug and fight is the sweetest. Nobody does facial reactions and line delivery quite like Anna Faris. She can scream, “What are you waiting for?!” as many times she wants, and it never goes out of style. Whatever Regina Hall says effortlessly becomes an effective punchline. Her signature high-pitched voice is comedic gold. The Wayans Brothers are always

Disclosure Day (2026) Directed by: Steven Spielberg There’s only so much thrill and suspense a film can offer, but this one keeps raising the bar high. By the end, the excitement reaches its absolute peak. Curiosity keeps you invested from the very beginning. Characters prove to be compelling to earn your support. You find yourself drawn into them, becoming a follower of their cause and rooting for whatever it is they’re trying to achieve. Even when you’re not entirely sure w

Masters of the Universe (2026) Directed by: Travis Knight Both the fantasy universe and real-life setting suffer from weak world-building. Neither is immersive, lacking any sense of life, depth, and creativity. The places feel empty and hollow. While the villain stays committed, the movie fails to convey a genuine sense of danger to the universe that they are trying to protect. Too much talking and dilly-dallying before taking any action. You can’t take them seriously as they

Backrooms (2026) Directed by: Kane Parsons Both overwhelming and underwhelming at the same time, 𝘉𝘢𝘤𝘬𝘳𝘰𝘰𝘮𝘴 will stay at the back of your mind for quite a while. It stays there inside your brain, demanding to take some space as you formulate all possible theories. The first sequence instantly establishes how grand and wide-reaching the plot is. There’s an assurance that everything is real and tangible. There’s no room left for imagination. The first-person POV in some

Passenger (2026) Directed by: André Øvredal Whenever the camera turns 360 degrees, it perfectly captures the perspective of the main character — looking around and searching for any source of life. The empty surroundings keep the fear intact. You’re not sure if there’s really something out there. You can’t blink. You don’t want to miss anything. Eyes on the road. Eyes on the screen. Next thing you know, the jumpscare is already right in front of you. Most of the scares are ef

Obsession (2026) Written & Directed by: Curry Barker This movie feels more like an acting exhibition, showcasing how talented the actors are. They scream, they shout, and unfortunately, that’s about as far as the movie goes. No matter how much range the actors show, the characters remain frustratingly one-dimensional. They exist solely to set up jump scares or to be constantly frowned upon. There’s little to no substance to the story. The movie drags on for too long without t

Colony (2026) Directed by: Yeon Sang-ho Since most zombie movies follow the same formula, they’ve become repetitive and exhausting to watch. You already know what to expect, and there’s barely any element of surprise left. This movie is not totally different, but the way the zombies evolve adds a refreshing touch. The most fascinating aspect is actually the colony itself, which feels limitless and overwhelmingly powerful. The main antagonist is also intelligent enough to take

Remarkably Bright Creatures (2026) Directed by: Olivia Newman There’s a line in the movie that beautifully captures the heart of the story: “𝘞𝘩𝘢𝘵’𝘴 𝘵𝘩𝘦 𝘱𝘰𝘪𝘯𝘵 𝘪𝘧 𝘺𝘰𝘶 𝘴𝘵𝘰𝘱 𝘵𝘩𝘦 𝘣𝘶𝘴𝘪𝘯𝘦𝘴𝘴 𝘰𝘧 𝘭𝘪𝘷𝘪𝘯𝘨?” When you’re carrying so many problems, it’s hard to appreciate life for what it is. But it becomes a little easier when you have someone beside you to share the burden with. Conversations between characters aren’t necessarily profound, yet they

Speed Demon (2026) Directed by: Jon Keeyes The plot involves a faithless nun who must perform her first exorcism aboard a speed train. A lot of protocols are bound to be broken. Marketed as a horror thriller, 𝘚𝘱𝘦𝘦𝘥 𝘋𝘦𝘮𝘰𝘯 is nowhere near that. The makeup looks like a prank. The visual effects aren’t believable. The demon resembles a zombie from a pirated Michael Jackson Thriller music video. How can something be unserious, hilarious, and adventurous at the same time?

The Mandalorian and Grogu (2026) Directed by: Jon Favreau This movie is a combination of many familiar settings. Its high-risk quests recall 𝘔𝘪𝘴𝘴𝘪𝘰𝘯 𝘐𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦. The presence of survival-driven entertainment echoes 𝘛𝘩𝘦 𝘏𝘶𝘯𝘨𝘦𝘳 𝘎𝘢𝘮𝘦𝘴. When characters assemble to overcome larger threats, they start to resemble 𝘛𝘩𝘦 𝘈𝘷𝘦𝘯𝘨𝘦𝘳𝘴. The bond between two unlikely individuals brings shades of 𝘗𝘳𝘰𝘫𝘦𝘤𝘵 𝘏𝘢𝘪𝘭 𝘔𝘢𝘳𝘺. Eventually, the movie f

In the Grey (2026) Written & Directed by: Guy Ritchie The movie starts by explaining why it’s titled 𝘐𝘯 𝘵𝘩𝘦 𝘎𝘳𝘦𝘺, making you expect complex decisions and deeper exploration of the characters’ moral compass. But no, the characters remain one-dimensional, lacking the motives and depth to strengthen the narrative. Eiza González’ portrayal is supposed to be intimidating and persuasive, but the way she deals with people lacks those qualities. Her negotiation skills never