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THE DEVIL WEARS PRADA 2
The Devil Wears Prada 2 (2026) Directed by: David Frankel 20 years apart from the first movie, this sequel quickly establishes the new setting. It’s fast-paced, and it never moves at a glacial pace. The narrative unfolds like a trend that keeps evolving. Not only does it keep up with trends, but it also aligns with the modern society that’s becoming more conscious and discerning by the hour. The camera loves to rapidly zoom in and out, emphasizing how big the world is — and h
4 days ago


MICHAEL
Michael (2026) Directed by: Antoine Fuqua The movie starts with Michael singing at a very young age. The talent is already there, but the fire isn’t yet. You’re left wondering why his father pushes that dream so much for their family. It’s not up for discussion. The road to fame happens in an instant, with barely a journey to follow. There’s no proper build-up. They are just showing quick cuts from rehearsals to gigs to recordings. Like a shuffled playlist, the songs comes
5 days ago


ONE OK ROCK DETOX CONCERT
ONE OK ROCK Detox Japan Tour 2025 at Nissan Stadium in Cinemas (2026) Directed by: Naoto Amazutsumi As you sit down in theaters and watch this concert movie experience, the first few seconds of it already build anticipation for what’s about to come. There are a few one-liner quotes, acting as teasers. One even mentions his leg that can’t be moved. This detail eventually pays off later, revealing its full context. Brief excerpts are being quickly shown. The musical score pumps
5 days ago


MOTHER MARY
Mother Mary (2026) Written & Directed by: David Lowery Everyone deals with different kinds of wounds throughout their lives. Some are manageable. While others are far more intense, leaving scars behind. At times, it cuts so deep—that even a scar isn’t enough to fully capture its weight. The pain lingers, demanding to be felt over and over. This film seeks to share that kind of suffering in the most honest way it can. The narration is very descriptive, trying to vividly detai
6 days ago


LEE CRONIN’S THE MUMMY
The Mummy (2026) Written & Directed by: Lee Cronin The characters include a reporter, a nurse, a detective, and a magician. Given their expertise, they can explore the lore of the mummy from diverse angles. It would have been more compelling to see some tension between disciplines—medical research and journalism, cure vs curse, and facts vs myths. But all of those opportunities are trapped inside a casket, making the story thin. There’s no attention to detail in solving the m
Apr 19


GOHAN
Gohan (2026) Directed by: Nattawut Poonpiriya, Atta Hemwadee, Chayanop Boonprakob A stray dog named Gohan taking on a lead role already has a charm of its own. But what makes it more amazing is seeing 3 generations of dogs portraying the same character. It’s surreal to witness their organic acting performances, shifting naturally from snobby to clingy. While the dogs are undeniably cute, the human characters add more life to the movie. Their character arcs give deeper meaning
Apr 15


THE DRAMA
The Drama (2026) Written & Directed by: Kristoffer Borgli When a mirror falls to the ground, it shatters into small pieces. Eager to fix it, you pick up the broken parts. The edges are too sharp, leaving wounds behind. Painful as it may seem, you continue to put the pieces together, trying to make it whole again. While it’s never going to be the same, you are able to see the mirror anew as a form of reflection. Do you like what you see, or do you let go? It sounds dramatic, b
Apr 12


PROJECT HAIL MARY
Project Hail Mary (2026) Directed by: Phil Lord & Christopher Miller No exact words can capture the experience of watching this film. It’s not because of any language barrier. Rather, the experience itself is too layered to be contained in words. It takes you through a spectrum of emotions—lifting you up, then sometimes letting you down. You are orbiting through space. Comedy, thriller, adventure, romance, horror, science fiction, and drama all come through unannounced. At th
Mar 22


HOPPERS
Hoppers (2026) Directed by: Daniel Chong Funniest animation movie ever to exist. What makes the comedy hit harder is the heart and mind that come with it. If you’re not laughing, you’re either crying or reflecting. It’s common for an animated movie to be cute and entertaining. But taking it to the next level—by making it informative and educational—is something else. Elevating it further by giving it a darker yet enlightening edge is even more impressive. 𝘏𝘰𝘱𝘱𝘦𝘳𝘴 refu
Mar 2


SCREAM 7
Scream 7 (2026) Directed by: Kevin Williamson At first, it appears to offer something different, especially with its focus on Sidney’s family and the way the killer is unveiled. However, it ultimately falls back into the same tired formula that’s been depleted over the decades. The characters act as if they’re wiser and stronger because of their past experiences, yet they keep repeating the same mistakes—from running to fighting to shooting. No matter how desperate they are
Mar 2


CRIME 101
Crime 101 (2026) Directed by: Bart Layton This isn’t the kind of film that keeps you on the edge of your seat throughout. Action scenes take a backseat. Rather than relying on physical movement, it’s the mind that remains constantly on the move—urging you to question why things happen. It’s easy to make a judgment based on isolated events, but this film invites you to see things from a different perspective by turning the world upside down. The story breaks away from simple n
Feb 23


WHISTLE
Whistle (2026) Directed by: Corin Hardy The origin story feels like a product of lazy writing and does little to give the narrative any real substance. The pattern is revealed very early on. Once it is exposed, there’s no more suspense surrounding the movie. There’s little buildup leading to the deaths, and most killings happen instantaneously. Even though each death scene is tailored to its victim, they all share the same predictable tone. None of them are creative or horrif
Feb 22


WUTHERING HEIGHTS
Wuthering Heights (2026) Directed by: Emerald Fennell This no longer feels like a movie. It plays like an extended music video, a glossy video pictorial dressed up as cinema. The actors love to strike poses and parade through stylized shots. Their movements are timed to the beat of the songs. You end up appreciating the soundtrack more than the story. The scenes leave no impression. It’s all surface and no substance. Pure aesthetics with nothing to hold onto. There’s no sense
Feb 12


COLD STORAGE
Cold Storage (2026) Directed by: Jonny Campbell Liam and Joe’s team-up passes by swiftly. Georgina and Joe’s tandem lacks any spark to make it worth following. The rest of the characters feel disposable, practically lined up to die. Yet the ensemble is anything but to die for. The highly contagious fungus appears powerful and capable of so much more, but it doesn’t fully evolve. It keeps doing the same thing, which makes its presence tiring and boring. Whenever things start t
Feb 8


96 MINUTES
96 Minutes (2025) Directed by: Tzu-Hsuan Hung You’ve got 96 minutes to defuse a bomb inside a train. It seems like a straightforward plot—the kind you’d expect from a Liam Neeson action film. And while it does deliver a bit of that energy, the story ultimately takes a different route. Moral dilemmas are constantly at play, forcing you to question which path the characters will take. You’re uncertain whether their choices will lead to something good or destructive. Secrets are
Feb 2


SEND HELP
Send Help (2026) Directed by: Sam Raimi Disgusting scenes. Blood and puke all over. Witty conversations. This movie looks like your usual piece of entertainment. But it actually offers so much more. On the surface, things may seem all over the place. The characters are on a constant high. But the ending puts everything back on the ground. The story lands with a deeper purpose. The path toward the ending forces you to question the process. Every twist makes you ask how far the
Jan 24


PRIMATE
Primate (2026) Directed by: Johannes Roberts In some films, you are expected to sit quietly and concentrate on every detail… This isn’t one of them. This movie thrives on audience participation, where loud reactions and over‑the‑top responses are highly encouraged. So make sure to experience it in theaters, surrounded by fellow moviegoers who are just as ready to join the fun. Watch the R‑18 version on the big screen, where every cracked bone is visible. The story may be th
Jan 20


PEOPLE WE MEET ON VACATION
People We Meet On Vacation (2026) Directed by: Brett Harley 𝗣𝗼𝗽𝗽𝘆 is the girl your boyfriend swears you shouldn’t worry about, but she turns out to be exactly the opposite. 𝗔𝗹𝗲𝘅 is the guy who insists they’re just friends, but his feelings tell otherwise. Annoying and irritating, they don’t deserve to be leads of this movie. Instead, more stories should be written for people like 𝗦𝗮𝗿𝗮𝗵—who chooses to grow, be better, and turn lemons into lemonade. This movie is
Jan 15


GREENLAND 2
Greenland 2: Migration (2026) Directed by: Ric Roman Waugh In post‑apocalyptic stories, the will to live should be conveyed effectively. But here, all of them seem ready to die already. It’s just a matter of how and when. The movie is like an alternate universe of 𝘍𝘪𝘯𝘢𝘭 𝘋𝘦𝘴𝘵𝘪𝘯𝘢𝘵𝘪𝘰𝘯, except the death scenes aren’t creative. Disasters, both natural and manmade, passes by without leaving an impact. There’s very little intimacy in their conversations. When they do
Jan 15


STRANGER THINGS
Stranger Things Written & Directed by: Duffer Brothers How do you break up with someone who’s been with you for almost 10 years? As they always say, all good things must come to an end. That’s the bittersweet feeling while watching the finale episode. It’s not just about looking at the series’ plotholes and wormholes anymore. It’s about dealing with a possible hole in our lives as they leave us. From season 1, we’ve become self-proclaimed members of the Hellfire club. From un
Jan 12
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