Power Ballad (2026) Directed by: John Carney No explosive revelations. No grand climax. No heavy moments. This is a film that simply wants to tell a story—and it does so with utmost authenticity. It feels less like watching a movie but more like witnessing a life unfold before you. Films like this one are a rarity nowadays. Stripped of plottwists and gimmicks, it allows the characters to shine and the story to leave an impression. The storytelling is simply human. You think

Toy Story 5 (2026) Directed by: Andrew Stanton The franchise reached a satisfying and perfect conclusion with Toy Story 3. While continuing the story beyond that point wasn’t necessary, the later installments have brought something new to the table — this one included. Technology continues to evolve at a rapid pace, affecting every aspect of our lives. Toys are no exemption. Kids’ alarming screen time is a timely and relevant topic, and there’s no better franchise to tackle i

Scary Movie (2026) Directed by: Michael Tiddes The ultimate gift this movie can give is the Core Four reunion. Watching them hug and fight is the sweetest. Nobody does facial reactions and line delivery quite like Anna Faris. She can scream, “What are you waiting for?!” as many times she wants, and it never goes out of style. Whatever Regina Hall says effortlessly becomes an effective punchline. Her signature high-pitched voice is comedic gold. The Wayans Brothers are always

Disclosure Day (2026) Directed by: Steven Spielberg There’s only so much thrill and suspense a film can offer, but this one keeps raising the bar high. By the end, the excitement reaches its absolute peak. Curiosity keeps you invested from the very beginning. Characters prove to be compelling to earn your support. You find yourself drawn into them, becoming a follower of their cause and rooting for whatever it is they’re trying to achieve. Even when you’re not entirely sure w

Masters of the Universe (2026) Directed by: Travis Knight Both the fantasy universe and real-life setting suffer from weak world-building. Neither is immersive, lacking any sense of life, depth, and creativity. The places feel empty and hollow. While the villain stays committed, the movie fails to convey a genuine sense of danger to the universe that they are trying to protect. Too much talking and dilly-dallying before taking any action. You can’t take them seriously as they

Backrooms (2026) Directed by: Kane Parsons Both overwhelming and underwhelming at the same time, 𝘉𝘢𝘤𝘬𝘳𝘰𝘰𝘮𝘴 will stay at the back of your mind for quite a while. It stays there inside your brain, demanding to take some space as you formulate all possible theories. The first sequence instantly establishes how grand and wide-reaching the plot is. There’s an assurance that everything is real and tangible. There’s no room left for imagination. The first-person POV in some

Passenger (2026) Directed by: André Øvredal Whenever the camera turns 360 degrees, it perfectly captures the perspective of the main character — looking around and searching for any source of life. The empty surroundings keep the fear intact. You’re not sure if there’s really something out there. You can’t blink. You don’t want to miss anything. Eyes on the road. Eyes on the screen. Next thing you know, the jumpscare is already right in front of you. Most of the scares are ef

Obsession (2026) Written & Directed by: Curry Barker This movie feels more like an acting exhibition, showcasing how talented the actors are. They scream, they shout, and unfortunately, that’s about as far as the movie goes. No matter how much range the actors show, the characters remain frustratingly one-dimensional. They exist solely to set up jump scares or to be constantly frowned upon. There’s little to no substance to the story. The movie drags on for too long without t

Colony (2026) Directed by: Yeon Sang-ho Since most zombie movies follow the same formula, they’ve become repetitive and exhausting to watch. You already know what to expect, and there’s barely any element of surprise left. This movie is not totally different, but the way the zombies evolve adds a refreshing touch. The most fascinating aspect is actually the colony itself, which feels limitless and overwhelmingly powerful. The main antagonist is also intelligent enough to take

Remarkably Bright Creatures (2026) Directed by: Olivia Newman There’s a line in the movie that beautifully captures the heart of the story: “𝘞𝘩𝘢𝘵’𝘴 𝘵𝘩𝘦 𝘱𝘰𝘪𝘯𝘵 𝘪𝘧 𝘺𝘰𝘶 𝘴𝘵𝘰𝘱 𝘵𝘩𝘦 𝘣𝘶𝘴𝘪𝘯𝘦𝘴𝘴 𝘰𝘧 𝘭𝘪𝘷𝘪𝘯𝘨?” When you’re carrying so many problems, it’s hard to appreciate life for what it is. But it becomes a little easier when you have someone beside you to share the burden with. Conversations between characters aren’t necessarily profound, yet they

Speed Demon (2026) Directed by: Jon Keeyes The plot involves a faithless nun who must perform her first exorcism aboard a speed train. A lot of protocols are bound to be broken. Marketed as a horror thriller, 𝘚𝘱𝘦𝘦𝘥 𝘋𝘦𝘮𝘰𝘯 is nowhere near that. The makeup looks like a prank. The visual effects aren’t believable. The demon resembles a zombie from a pirated Michael Jackson Thriller music video. How can something be unserious, hilarious, and adventurous at the same time?

The Mandalorian and Grogu (2026) Directed by: Jon Favreau This movie is a combination of many familiar settings. Its high-risk quests recall 𝘔𝘪𝘴𝘴𝘪𝘰𝘯 𝘐𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦. The presence of survival-driven entertainment echoes 𝘛𝘩𝘦 𝘏𝘶𝘯𝘨𝘦𝘳 𝘎𝘢𝘮𝘦𝘴. When characters assemble to overcome larger threats, they start to resemble 𝘛𝘩𝘦 𝘈𝘷𝘦𝘯𝘨𝘦𝘳𝘴. The bond between two unlikely individuals brings shades of 𝘗𝘳𝘰𝘫𝘦𝘤𝘵 𝘏𝘢𝘪𝘭 𝘔𝘢𝘳𝘺. Eventually, the movie f

In the Grey (2026) Written & Directed by: Guy Ritchie The movie starts by explaining why it’s titled 𝘐𝘯 𝘵𝘩𝘦 𝘎𝘳𝘦𝘺, making you expect complex decisions and deeper exploration of the characters’ moral compass. But no, the characters remain one-dimensional, lacking the motives and depth to strengthen the narrative. Eiza González’ portrayal is supposed to be intimidating and persuasive, but the way she deals with people lacks those qualities. Her negotiation skills never

Hokum (2026) Directed by: Damian McCarthy The lead character is good at pissing people off. With his apathetic attitude, it’s also hard to care about his journey or whatever he’s trying to accomplish. His portrayal lessens the impact of the jumpscares. Even though some scenes are genuinely scary, they feel almost normal because he always seems unfazed by them. As a novelist whose craft depends on curiosity and keen observation, his complacency and reluctance to seek answers i

The Sheep Detectives (2026) Directed by: Kyle Balda Hugh Jackman really has a huge presence. Despite his tough, authoritative facade in the community, he shows genuine sincerity in caring for the animals, making him an effective protagonist. So when his character was murdered, the movie lost much of its charm along with him. While the ensemble cast is decent, it’s hard for them to fill the void left by his presence. The actors’ costumes may be colorful, but their characters l

Mortal Kombat II (2026) Directed by: Simon McQuoid Part 1 focuses more on storytelling, properly introducing the characters, and giving each battle a meaningful reason to happen. In contrast, Part 2 does the opposite. Part 2 mostly has the action scenes, while the plot remains thin. They keep saying the fate of the entire human race relies on these battles, but you don’t feel its importance. You can’t really feel what’s at stake. Regardless, for the sake of nostalgia, you ar

The Devil Wears Prada 2 (2026) Directed by: David Frankel 20 years apart from the first movie, this sequel quickly establishes the new setting. It’s fast-paced, and it never moves at a glacial pace. The narrative unfolds like a trend that keeps evolving. Not only does it keep up with trends, but it also aligns with the modern society that’s becoming more conscious and discerning by the hour. The camera loves to rapidly zoom in and out, emphasizing how big the world is — and h

Michael (2026) Directed by: Antoine Fuqua The movie starts with Michael singing at a very young age. The talent is already there, but the fire isn’t yet. You’re left wondering why his father pushes that dream so much for their family. It’s not up for discussion. The road to fame happens in an instant, with barely a journey to follow. There’s no proper build-up. They are just showing quick cuts from rehearsals to gigs to recordings. Like a shuffled playlist, the songs comes

ONE OK ROCK Detox Japan Tour 2025 at Nissan Stadium in Cinemas (2026) Directed by: Naoto Amazutsumi As you sit down in theaters and watch this concert movie experience, the first few seconds of it already build anticipation for what’s about to come. There are a few one-liner quotes, acting as teasers. One even mentions his leg that can’t be moved. This detail eventually pays off later, revealing its full context. Brief excerpts are being quickly shown. The musical score pumps

Mother Mary (2026) Written & Directed by: David Lowery Everyone deals with different kinds of wounds throughout their lives. Some are manageable. While others are far more intense, leaving scars behind. At times, it cuts so deep—that even a scar isn’t enough to fully capture its weight. The pain lingers, demanding to be felt over and over. This film seeks to share that kind of suffering in the most honest way it can. The narration is very descriptive, trying to vividly detai