The Mandalorian and Grogu (2026) Directed by: Jon Favreau This movie is a combination of many familiar settings. Its high-risk quests recall 𝘔𝘪𝘴𝘴𝘪𝘰𝘯 𝘐𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦. The presence of survival-driven entertainment echoes 𝘛𝘩𝘦 𝘏𝘶𝘯𝘨𝘦𝘳 𝘎𝘢𝘮𝘦𝘴. When characters assemble to overcome larger threats, they start to resemble 𝘛𝘩𝘦 𝘈𝘷𝘦𝘯𝘨𝘦𝘳𝘴. The bond between two unlikely individuals brings shades of 𝘗𝘳𝘰𝘫𝘦𝘤𝘵 𝘏𝘢𝘪𝘭 𝘔𝘢𝘳𝘺. Eventually, the movie f

In the Grey (2026) Written & Directed by: Guy Ritchie The movie starts by explaining why it’s titled 𝘐𝘯 𝘵𝘩𝘦 𝘎𝘳𝘦𝘺, making you expect complex decisions and deeper exploration of the characters’ moral compass. But no, the characters remain one-dimensional, lacking the motives and depth to strengthen the narrative. Eiza González’ portrayal is supposed to be intimidating and persuasive, but the way she deals with people lacks those qualities. Her negotiation skills never

Hokum (2026) Directed by: Damian McCarthy The lead character is good at pissing people off. With his apathetic attitude, it’s also hard to care about his journey or whatever he’s trying to accomplish. His portrayal lessens the impact of the jumpscares. Even though some scenes are genuinely scary, they feel almost normal because he always seems unfazed by them. As a novelist whose craft depends on curiosity and keen observation, his complacency and reluctance to seek answers i

The Sheep Detectives (2026) Directed by: Kyle Balda Hugh Jackman really has a huge presence. Despite his tough, authoritative facade in the community, he shows genuine sincerity in caring for the animals, making him an effective protagonist. So when his character was murdered, the movie lost much of its charm along with him. While the ensemble cast is decent, it’s hard for them to fill the void left by his presence. The actors’ costumes may be colorful, but their characters l

Mortal Kombat II (2026) Directed by: Simon McQuoid Part 1 focuses more on storytelling, properly introducing the characters, and giving each battle a meaningful reason to happen. In contrast, Part 2 does the opposite. Part 2 mostly has the action scenes, while the plot remains thin. They keep saying the fate of the entire human race relies on these battles, but you don’t feel its importance. You can’t really feel what’s at stake. Regardless, for the sake of nostalgia, you ar

The Devil Wears Prada 2 (2026) Directed by: David Frankel 20 years apart from the first movie, this sequel quickly establishes the new setting. It’s fast-paced, and it never moves at a glacial pace. The narrative unfolds like a trend that keeps evolving. Not only does it keep up with trends, but it also aligns with the modern society that’s becoming more conscious and discerning by the hour. The camera loves to rapidly zoom in and out, emphasizing how big the world is — and h

Michael (2026) Directed by: Antoine Fuqua The movie starts with Michael singing at a very young age. The talent is already there, but the fire isn’t yet. You’re left wondering why his father pushes that dream so much for their family. It’s not up for discussion. The road to fame happens in an instant, with barely a journey to follow. There’s no proper build-up. They are just showing quick cuts from rehearsals to gigs to recordings. Like a shuffled playlist, the songs comes

ONE OK ROCK Detox Japan Tour 2025 at Nissan Stadium in Cinemas (2026) Directed by: Naoto Amazutsumi As you sit down in theaters and watch this concert movie experience, the first few seconds of it already build anticipation for what’s about to come. There are a few one-liner quotes, acting as teasers. One even mentions his leg that can’t be moved. This detail eventually pays off later, revealing its full context. Brief excerpts are being quickly shown. The musical score pumps

Mother Mary (2026) Written & Directed by: David Lowery Everyone deals with different kinds of wounds throughout their lives. Some are manageable. While others are far more intense, leaving scars behind. At times, it cuts so deep—that even a scar isn’t enough to fully capture its weight. The pain lingers, demanding to be felt over and over. This film seeks to share that kind of suffering in the most honest way it can. The narration is very descriptive, trying to vividly detai

The Mummy (2026) Written & Directed by: Lee Cronin The characters include a reporter, a nurse, a detective, and a magician. Given their expertise, they can explore the lore of the mummy from diverse angles. It would have been more compelling to see some tension between disciplines—medical research and journalism, cure vs curse, and facts vs myths. But all of those opportunities are trapped inside a casket, making the story thin. There’s no attention to detail in solving the m

Gohan (2026) Directed by: Nattawut Poonpiriya, Atta Hemwadee, Chayanop Boonprakob A stray dog named Gohan taking on a lead role already has a charm of its own. But what makes it more amazing is seeing 3 generations of dogs portraying the same character. It’s surreal to witness their organic acting performances, shifting naturally from snobby to clingy. While the dogs are undeniably cute, the human characters add more life to the movie. Their character arcs give deeper meaning

The Drama (2026) Written & Directed by: Kristoffer Borgli When a mirror falls to the ground, it shatters into small pieces. Eager to fix it, you pick up the broken parts. The edges are too sharp, leaving wounds behind. Painful as it may seem, you continue to put the pieces together, trying to make it whole again. While it’s never going to be the same, you are able to see the mirror anew as a form of reflection. Do you like what you see, or do you let go? It sounds dramatic, b

Project Hail Mary (2026) Directed by: Phil Lord & Christopher Miller No exact words can capture the experience of watching this film. It’s not because of any language barrier. Rather, the experience itself is too layered to be contained in words. It takes you through a spectrum of emotions—lifting you up, then sometimes letting you down. You are orbiting through space. Comedy, thriller, adventure, romance, horror, science fiction, and drama all come through unannounced. At th

Hoppers (2026) Directed by: Daniel Chong Funniest animation movie ever to exist. What makes the comedy hit harder is the heart and mind that come with it. If you’re not laughing, you’re either crying or reflecting. It’s common for an animated movie to be cute and entertaining. But taking it to the next level—by making it informative and educational—is something else. Elevating it further by giving it a darker yet enlightening edge is even more impressive. 𝘏𝘰𝘱𝘱𝘦𝘳𝘴 refu

Scream 7 (2026) Directed by: Kevin Williamson At first, it appears to offer something different, especially with its focus on Sidney’s family and the way the killer is unveiled. However, it ultimately falls back into the same tired formula that’s been depleted over the decades. The characters act as if they’re wiser and stronger because of their past experiences, yet they keep repeating the same mistakes—from running to fighting to shooting. No matter how desperate they are

Crime 101 (2026) Directed by: Bart Layton This isn’t the kind of film that keeps you on the edge of your seat throughout. Action scenes take a backseat. Rather than relying on physical movement, it’s the mind that remains constantly on the move—urging you to question why things happen. It’s easy to make a judgment based on isolated events, but this film invites you to see things from a different perspective by turning the world upside down. The story breaks away from simple n

Whistle (2026) Directed by: Corin Hardy The origin story feels like a product of lazy writing and does little to give the narrative any real substance. The pattern is revealed very early on. Once it is exposed, there’s no more suspense surrounding the movie. There’s little buildup leading to the deaths, and most killings happen instantaneously. Even though each death scene is tailored to its victim, they all share the same predictable tone. None of them are creative or horrif

Wuthering Heights (2026) Directed by: Emerald Fennell This no longer feels like a movie. It plays like an extended music video, a glossy video pictorial dressed up as cinema. The actors love to strike poses and parade through stylized shots. Their movements are timed to the beat of the songs. You end up appreciating the soundtrack more than the story. The scenes leave no impression. It’s all surface and no substance. Pure aesthetics with nothing to hold onto. There’s no sense

Cold Storage (2026) Directed by: Jonny Campbell Liam and Joe’s team-up passes by swiftly. Georgina and Joe’s tandem lacks any spark to make it worth following. The rest of the characters feel disposable, practically lined up to die. Yet the ensemble is anything but to die for. The highly contagious fungus appears powerful and capable of so much more, but it doesn’t fully evolve. It keeps doing the same thing, which makes its presence tiring and boring. Whenever things start t

96 Minutes (2025) Directed by: Tzu-Hsuan Hung You’ve got 96 minutes to defuse a bomb inside a train. It seems like a straightforward plot—the kind you’d expect from a Liam Neeson action film. And while it does deliver a bit of that energy, the story ultimately takes a different route. Moral dilemmas are constantly at play, forcing you to question which path the characters will take. You’re uncertain whether their choices will lead to something good or destructive. Secrets are